| Title: |
"No Piano On That One" |
| Artist: |
Gilles Apap |
| |
|
| abc |
1. |
Flight of the Bumblebee |
1'11 |
| |
|
Nikolai Rimsky-Korsakov/Jascha Heifetz |
| bc |
2. |
LFAT (Lookin' for a Title) |
2'20 |
| |
|
(trio version) Sheila Pop |
| r |
3. |
Variations on a Theme by Corelli |
3'43 |
| |
|
(in the Style of Tartini) Fritz Kreisler |
| h |
4. |
Pièce en forme de Habanera |
2'52 |
| |
|
Maurice Ravel |
| h |
5. |
Entr'acte |
3'22 |
| |
|
Jacques Ibert |
| r |
6. |
Sicilienne and Rigaudon |
3'50 |
| |
|
(in the Style of Franccoeur) Fritz Kreisler |
| a! |
7. |
Sonata in aol majeur |
1'40 |
| |
|
Domenico Scarlatti |
| ab |
8. |
Melodie |
3'12 |
| |
|
Christoph von Gluck / Fritz Kreisler |
| ab |
9. |
Zapateado |
3'52 |
| |
|
Pablo de Sarasate |
| r |
10. |
Chanson Louis XIII and Povane |
3'40 |
| |
|
(in the Style of Couperin) Fritz Kreisler |
| b! |
11. |
Allemande |
3'07 |
| |
|
Hans Fryba |
| h |
12. |
Berceuse from Dolly Suite |
2'21 |
| |
|
Gabriel Fauré |
| c! |
13. |
Improvisation on the Fifth Caprice of Niccolo Paganini |
0'33 |
| |
|
L. Kovac |
| bc |
14. |
Caprice in a minor |
1'06 |
| |
|
Henryk Wieniawski |
| ab |
15. |
Scherzo-Tarantello |
4'42 |
| |
|
Henryk Wieniawski |
| h! |
16. |
The Nightingale |
4'24 |
| |
|
Alabieff / Franz Liszt |
| r! |
17. |
Les Barricades Mistérieuses |
2'20 |
| |
|
François Couperin |
| h |
18. |
Aubade Provençole |
2'50 |
| |
|
Fritz Kreisler |
| ab |
19. |
Schön Rosmarin |
2'00 |
| |
|
Fritz Kreisler |
| abc |
20. |
Zigeunerweisen |
8'30 |
| |
|
Pablo de Sarasate |
| abc |
21. |
Hora Staccato |
2'19 |
| |
|
Grigoras Dinicu/Jascha Heifetz |
| |
22. |
P'tit bits |
1'57 |
| |
23. |
LFAT (string orchestra version) |
1'33 |
| |
|
Sheila Pop |
| |
|
violin + accordion
bass cymbalum harp harpsichord
! indicates solo (no violin)
|
|
|
GILLES APAP,
|
violin |
| MYRIAM
LAFAR, |
accordion (Colors
of Invention) |
| LUDOVIT
KOVAC, |
cymbalum (Colors
of Invention) |
| PHILIPPE
NOHARET, |
contrabass (Colors
of Invention) |
| COREY
JAMASON, |
harpsichord |
| MARIE-PIERRE
LANGLAMET, |
harp |
| |
Recorded at the following
locations...
Eglise de Gairaut, Nice 22 and 23 fevrier, 2000 (Merci, Pére Viano): harp
and violin.
Guild Hall, Trinity Episcopal Church, Santa Barbara, California, June 30,
July 5, and October 23 2000: orch and harpsichord.
A Eric Danel merci pour l'utilisation de ton appartement Blvd. Raspail,
12-16 septembre, 2000: Colors of Invention.
Eglise Sainte Marie d'en Haut, Grenoble, 12 novembre, 2000: solo bass.
Karnmermusiksaal, Berlin novembre 2000: solo harp. |
| |
Eric Ferrand-N'Kaoua:
producer
Olivier Jouy: engineer/mastering, Groupe Ooctave
Laurent Mollard: assistant engineer, Groupe Ooctave
Barbara Hirsch: engineer for all harpsichord pieces and orchestra
Dr. Wilhelm Schlemm: engineer for solo harp; assisted by Hr. Gross.
Janet D. Nelson and Kirsten Monke: production
Janet D. Nelson and Aymeric Coquereaumont: distribution |
| |
Thanks to Robin
Frost and Miwa Gofuku for their help and to Curtis Berac
for the use of his beautiful, hand-crafted harpsichord (Couperin).
Thanks to the string orchestra: Nina Bodnar, Aurora Hackstein, Antonio
Bassi, Byron Wallis, Sally Barr, Mary Beth Woodruff, Mindy Leinberger, Chiao-Ling
Sun, Orin Hildestad, Luke Maurer, Ann C. Tischer, Kirsten Monke, Jacqueline
Greenshields, Misha Bodnar, Brendan Statorn,
Nancy Chase.
And most of all, infinite thanks to K for her deadly patience. |
| |
| Nicolas Guilbert,
Robert Bruce Duncan, Eric Ferrand-N'Kaoua, Gilles Apap, Kirsten Monke:
photographs Chris Barnes: art direction and design |
| |
|
|
|
